Publications

2019

Gorrill, H. (2019) Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris

Gorrill, H. (2019) ‘Why Have There Still Been No Great Women Artists?’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘Masculinities and Femininities in Painting: The New Androgynous Aesthetics in Contemporary Art’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘The Price of Being a Woman Artist: Dollars, Dirhams, Pounds and Euros’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘The Museum Exposed: Gendered Visibilities and Essentialist Aesthetics through Equality’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris

Gorrill, H. (2019) ‘Gender Parity and Arts Prizes: “Only Men Are Capable of Aesthetic Greatness”. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘The Importance of Wearing the Right Old (Art) School Tie: Networking, Gender and Painting Values’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘Gender and Ageism in Visual Art Values – “But Men are Allowed to be Old or Ugly!”‘. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘Smashing the Glass Ceiling of Women’s Art: Discussions and Strategies for Equality that Could Actually Work’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘Baselitz’s Folly: Women Can Paint’. In Women Can’t Paint: Gender, the Glass Ceiling and Values in Contemporary Art.  London: I.B. Tauris.

Gorrill, H. (2019) ‘Drawing Patterns on Place: Transnational Collective Aesthetics in Contemporary Drawing’. In Body, Space, Place in Collective and Collaborative Drawing: Drawing Conversations 2, ed. Journeaux, Gorrill & Reed.

Journeaux, J., Gorrill, H., & Reed, S. (eds). (2019) Body, Space, Place in Collective and Collaborative Drawing: Drawing Conversations 2. Newcastle: Cambridge Scholars Publishing

2018

Gorrill, H. (2018) ‘Artworld Visibility, Gender and Ageism: “But Men are Allowed to be Old or Ugly!”‘. [To be presented at CAMEo Research Institute for Cultural and Media Industries, September 2018]

Gorrill, H. (2018) ‘Disrupting the Masculine Canon in Fine Art Education: Equal Futures through More Female Role Models’. The International Journal of Arts Education [IN PRESS]

Gorrill, H. (2018) ‘Gender Parity and Arts Prizes: “Only Men are Capable of Aesthetic Greatness”‘. [To be presented at CAMEo Research Institute for Cultural and Media Industries, June 2018]

2017

Gorrill, H. (2017) Review of ‘Drawing Difference: Connections between Gender and Drawing’. The Journal of Visual Arts Practice. August 2017.

Gorrill, H. (2017) ‘Female Patrons in a Masculine Economy: The Decreasing Visibility of Female Artists on the UK Market’.  Proceedings of the Association of Art Historians Annual Conference.  Loughborough: Loughborough University [selected by the Director of Christies Education New York for the Christies Panel]

Journeaux, J., & Gorrill, H. (eds.) (2017) Collective and Collaborative Drawing in Contemporary Practice: Drawing Conversations. Newcastle: Cambridge Scholars Publishing.

Journeaux, J., & Gorrill H. (2017) ‘Drawing to a Close’. In Collective and Collaborative Drawing in Contemporary Practice: Drawing Conversations. Newcastle: Cambridge Scholars Publishing.

Journeaux, J., & Gorrill, H. (2017) ‘Opening the Conversation’. In Collective and Collaborative Drawing in Contemporary Practice: Drawing Conversations. Newcastle: Cambridge Scholars Publishing.

Mottram, J., & Gorrill, H. (2017) ‘Colouring in the Gaps: Exploring Transnational Aesthetics through Digital Collections’. Proceedings of The 2018 International Digital Cultural Heritage Conference. Manchester University: The Manchester Museum.

 

2016

Gorrill, H. (2016) Gendered Economic and Symbolic Values in Contemporary British Painting. Coventry: Coventry University [PhD thesis]

Journeaux, J., & Gorrill, H. (2016) Drawing Conversations: Reflecting upon Collective and Collaborative Drawing Practices. Coventry: Coventry University

2015

Journeaux, J., Gorrill, H., & Suruji, M. (2015) Drawn Conversations: Curated Exhibition Catalogue. Coventry: Coventry University

Journeaux, J., Gorrill, H., & Suruji, M. (2015) Drawing Conversations: A Digital Resource. Coventry: Coventry University

Mottram, J., & Gorrill, H. (2015) ‘Aesthetic Models and Perceiving Paintings’. Proceedings of the Tenth International Conference of the Arts in Society, held 20-24 July at Imperial College, London

Mottram, J., Weigel, M., & Gorrill, H. (from 2015) Quantitative Analysis of Contemporary British Paintings [project in development]. Coventry and London: Coventry University and The Royal College of Art

2014

Mottram, J., & Gorrill, H. (2014) ‘Locating Aesthetics in the Economy of the Visual’. Proceedings of the Location/Aesthetics 13th ELIA Biennial Conference, European League of the Institutes of the Arts, held 13-15 November 2014 at Glasgow Royal Concert Hall

2013

Gorrill, H. (2013) Nebula: An Elegy to Helen Chadwick’s Final Work. Newcastle upon Tyne: Northumbria University [MRes prize-winning thesis]

Gorrill, H. (2013) Segregation v. Integration in Feminist Art Practice: The Sackler Center for Feminist Art at the Brooklyn Museum.  Newcastle upon Tyne: Northumbria University [conference paper]